Gwenaël Morin
Antiteatre
© © Marc Domage ©
© © Marc Domage ©
Antiteatre
from Rainer Werner Fassbinder
4 plays : Anarchie en Bavière, Liberté à Brême, Gouttes dans l’océan, Le Village en flammes
Direction, Gwenaël Morin
Direction Assistant, Elsa Rooke
Avec Renaud Béchet, Mélanie Bourgeois, Virginie Colemyn, Kathleen Dol, Julian Eggerickx, Pierre Germain, François Gorrissen, Barbara Jung, Ulysse Pujo, Natalie Royer, Brahim Tekfa
Production Théâtre du Point du Jour/Compagnie Gwenaël Morin
Corealisation Théâtre de la Bastille (Paris) ; Festival d’Automne à Paris
With the support of DIESE # Rhône-Alpes
Le Théâtre du Point du Jour est conventionné par le ministère de la Culture et de la Communication/DRAC Rhône-Alpes, la région Rhône-Alpes et la Ville de Lyon.
L’Arche is the editor and theatral agent for the text
(www.arche-editeur.com).
With the support of Adami
“Antitheater” encapsulates R.W. Fassbinder’s debunking of all political, psychological and moral standards in late 1960s FRG. In four plays based on Fassbinder’s texts, Gwenaël
Morin traces an “archeology of violence”, as each play evokes a utopia gone wrong. Without using a set or costumes, Gwenaël Morin directly confronts notions of dependency,
emancipation, desire and death.
In the same place
Gurshad Shaheman, Dany Boudreault Sur tes traces
The piece takes us a road-trip in the form of a double portrait involving two destinies, namely those of Gurshad Shaheman born in Iran, and Dany Boudreault in Quebec. Authors, directors and performers, the two artists got to know each other in Europe. Here, each of them sets off in search of their respective pasts.
Marion Duval Cécile
Certain encounters are life-changing. This piece is about Marion Duval's encounter with Cécile Laporte, an activist and author to whom she has decided to dedicate a show. The resulting 'truth-performance' is an inspiring one and enables us to embrace the unbearable complexity of the world in a light-hearted way.
Jaha Koo Haribo Kimchi
Haribo Kimchi, a hybrid performance combining text, music, video and robotics, embraces South Korean cuisine as part of an investigation into cultural assimilation, together with its conflicts and paradoxes. It enables Jaha Koo to ask questions first raised in his Hamartia trilogy.