Ryoji Ikeda
superposition
Archive 2012
                        
                                    Centre Pompidou
novembernov 14 - may – may 14
                            novembernov 14 - may – may 14
 	Ryoji Ikeda
  	superposition
  	Commisioned by Festival d’Automne à Paris for the musical part
  	Ryoji Ikeda, concept, music and Artistic Direction
  	Stéphane Garin, Amélie Grould, performers
  	Tomonaga Tokuyama, Norimichi Hirakawa, Yoshito Onishi, Graphic realisation, Programmation 
  	Daisuke Sekine, Architectural conception 
  	Simon MacColl, Technical Direction
Tomonaga Tokuyama, Technical Coordination
Tomonaga Tokuyama, Technical Coordination
 	Production Ryoji Ikeda Studio ; Quaternaire ; FormaCoproduction Concertgebouw (Bruges) ; Festival de Marseille ; EPPGH La Villette (Paris) ; Kyoto Experiment ; ZKM-Centre d’art et de technologie des médias (Karlsruhe) ; Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris
 	Corealisation Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris
 	With the support of Mécénat Musical Société Générale and Fondation Franco-Japonaise Sasakawa
 	Ryoji Ikeda first emerged on the music scene in the mid 1990s with an eclectic approach featuring the art of the DJ and producing complex montages of surgical accuracy gradually stripped of all outside references. More recent works have moved towards abstract formalism, challenging perception, seeking extremes – infra-sound and ultra-sound. superposition, referring to quantum physics, is performance in diverse forms with a score/matrix for an original ritual.
                See also

