Johannes Ciconia / Guillaume de Machaut / Brian Ferneyhough / Benedict Mason

the neurons, the tongue, the cochlea… the breath, the resonance ...

Archive 2012
Opéra Bastille
novembernov 12

Benedict Mason
Hinterstoisser Traverse pour ensemble
the neurons, the tongue, the cochlea… the breath, the resonance 
for twenty-twoi musicians playing newly created  instruments

Guillaume de Machaut 
Tant doucement me sens emprisonnes (four voices)
Johannes Ciconia

Le ray au soleyl (three voices)

Codex Chantilly 

Rodericus, Angelorum psalat tripudium

(two voices)
Pierre de Molins, De ce que foul pense souvent ramaynt
(four voices)
Brian Ferneyhough 
Finis Terrae pour six voix et ensemble*
Commissioned by Ensemble Musikfabrik, Kunststiftung NRW, Festival d’Automne à Paris and Casa da Musica (Porto)
Ensemble vocal Exaudi / Director James Weeks
Ensemble Musikfabrik    
*Emilio Pomarico, direction
Corealisation Opéra national de Paris ; Festival d’Automne à Paris

With the participation of the Sacem, of  Diaphonique, Franco-British Founds  for contempory music, and British Council
With the participation of Mécénat Musical Société Générale, Ernst von Siemens Foundation for music

France Musique records and broadcasts this concert

A vast instrumentarium, both ancient and modern, is deployed for the neurons, the tongue, the cochlea… the breath, the resonance, taking the audience beyond the senses into the realm of the imagination. Hinterstoisser Traverse, referring to the tragic attempt to climb the north face of the Eiger in the Swiss Alps, expresses depth, height, distance and speed – perceived or real – in detailed, taut, three-dimensional music. Finis Terrae by Brian Ferneyhough, carrying on the tradition of English composers of the Renaissance and of Guillaume de Machaut, has proportion, precision and striking refinement, offering musical allegory and, ultimately, melancholy.