Claude Régy
La Barque le soir
by Tarjei Vesaas
La Barque le soir by Tarjei Vesaas
Adaptation by Claude Régy
Direction, Claude Régy
Assistant, Alexandre Barry
Scenography, Sallahdyn Khatir
Light, Rémi Godfroy
Sound, Philippe Cachia
With Yann Boudaud, Olivier Bonnefoy, Nichan Moumdjian
Creation Les Ateliers Contemporains
Coproduction Odéon-Théâtre de l’Europe (Paris) ; CDN Orléans-Loiret-Centre ; Théâtre National de Toulouse et Théâtre Garonne ; Comédie de Reims ; Festival d'Automne à Paris
Corealisation Odéon-Théâtre de l’Europe (Paris) ; Festival d’Automne à Paris
With the support of Adami
Breathing in, descending, surfacing to air… In Vesaas’s text, a man – half dying – drifts southwards, fighting forces from his past or from another life – his own perhaps. His nearness to death teaches him the things nobody else knows. Claude Régy conjures up a virgin territory where boundaries are constantly blurred, seeking out the dark, fearful recesses of our consciousness.
In the same place
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The Hungarian film and theatre director Kornél Mundruczó has always been a shrewd observer of the way contemporary society has transformed family structures, as shown in his films White God (2015), a prize-winner at Cannes, Pieces of A Woman (2019) and Evolution (2021). In Parallax, he investigates the notion of identity, at the crossroads between social affirmation and area of freedom.
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