Zuleikha et Manish Chaudhari / Raqs Media Collective
Seen at Secundrabagh
Ossements déterrés à Secundrabagh (Sikandar Bagh) Photographie sur papier albuminé (détail) réalisée en 1858 par Felice Beato, témoin de la révolte des Cipayes (1857-1858 – Indes brit ©
Seen at Secundrabagh
From and with Zuleikha and Manish Chaudhari
and Raqs Media Collective
Sound, Priya Sen
Animation, Ikroop Sandhu
Production Assistant, Shrey Prakash
Production Zuleikha Chaudhari Productions (Delhi)
Coproduction Kunstenfestivaldesarts (Bruxelles) ; Festival d’Automne à Paris
Corealisation Le CENTQUATRE – Paris ; Festival d'Automne à Paris
With the support of Prakriti Foundation
The starting point of Zuleikha Chaudhari’s new work is a war photograph taken in 1858, shortly after the East India Company mutiny – a key moment in India’s colonial past. Chaudhari combines her stage directing skills to Raqs Media Collective’s more theoretical approach. Together they explore the image in depth, revealing its artificiality.
In the same place
LIMINAL, Forensic Oceanography, Border Forensics From Sea to Sky
Featuring different works by the LIMINAL, Forensic Oceanography and Border Forensics collectives, the multimedia installation From Sea to Sky approaches intersectional immobility and frontier-based violence at sea. The objective is to highlight the way in which the Mediterranean maritime space has been transformed into a militarized border zone.
Lawrence Abu Hamdan Zifzaafa
Zifzaafa, is an arabic word to describe a wind that shakes and rattles all in its path. Here, it becomes the title of a performance of artist and researcher Lawrence Abu Hamdan, that enmeshes sonic composition, video game engines and spoken word, to immerse us in the heart of a movement to resist green colonialism in the occupied Syrian Golan heights.
Alessandro Sciarroni U. (un canto)
A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.
Lina Majdalanie, Rabih Mroué Quatre murs et un toit
In 1947, the trial of German playwright Bertolt Brecht took place in the United States in front of the House Un-American Activities Committee (HUAC), responsible for combating communist activism. It was here that Brecht wrote a declaration which he was forbidden to read out. The minutes of the trial, as well as this declaration, constitute one of the axes of this exuberant show.