William Forsythe / Ballet Royal de Flandre

Artifact

Archive 2011
Dance
1/2

Artifact
Choreography, William Forsythe
Scenography, lighting and costumes, William Forsythe
Music, Eva Crossmann-Hecht, Jean-Sébastien Bach
and Sound  William Forsythe
Technical Advice, Olaf Winter, Jurgen Koss, Urs Frey
Sound Design, Bernhard Klein
With the Dancers of the Royal Ballet of  Flanders and Margot Kazimirska, Kate Strong, Nicholas Champion (Invited artists)

Production Royal Ballet of Flanders
Corealisation Théâtre National de Chaillot (Paris) ; Festival d’Automne à Paris
Partnership with France Inter

The production of two of William Forsythe’s major works, twenty-five years on, testify to the contemporariness of his choreographic approach. Performed by the Royal Ballet of Flanders, Artifact (1984) may be seen as a danced manifesto, while Impressing the Czar (1988) is a joyful parody of 19th century ballet. Both bear witness to his will to incorporate music and theater into a profound understanding of dance.

In the same place

Chaillot – Théâtre national de la Danse
septembersept 26 - 29
Malakoff Scène nationale – Théâtre 71
novembernov 7

Nina Laisné, Nestor 'Pola' Pastorive
Como una baguala oscura

Dance
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In Como una baguala oscura, Nina Laisné teams up with dancer and choreographer Nestor 'Pola' Pastorive in this musical and danced portrait of Argentinian pianist Hilda Herrera. With its exploration of the roots of popular and folk music, she brings us a lively show with the hallmark of freedom stamped firmly upon it.

Chaillot – Théâtre national de la Danse
novembernov 28 - 30

Robyn Orlin, Garage Dance Ensemble, uKhoiKhoi
…How in salts desert is it possible to blossom...

DanceMusic
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This piece is the fruit of the first encounter between Robyn Orlin and the iconic South African company Garage Dance Ensemble. The latter practices dance theatre which is committed to equality and social justice. In the company of performers from the Northern Cape region, she brings us a no-holds-barred performance that questions the origins of social violence.

Chaillot – Théâtre national de la Danse
decemberdec 5 - 8

Marcelo Evelin, Demolition Incorporada
Uirapuru

Dance
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In this piece, the choreographer Marcelo Evelin, from the north-east region of Brazil, invites us to set foot inside a metaphorical forest and its ecological condition. Through minimalist dance, and guided by the call of the legendary Uirapuru, a rare and endangered bird, six performers embody the promise of discovering what is and what still eludes our senses.