Théâtre du Radeau

Onzième

Archive 2011
Theatre

Onzième
Direction, scenography, lightning, François Tanguy
Sound, François Tanguy, Éric Goudard
Stage Manager and Master Electrician, François Fauvel
Sound Engineer, Éric Goudard
Construction, set, Frode Bjørnstad, Jean Cruchet, François Fauvel, Éric Minette, Grégory Rault, François Tanguy and the team of the Radeau Theater
With Laurence Chable, Fosco Corliano, Claudie Douet, Muriel Hélary, Vincent Joly, Cheick Kaba, Carole Paimpol, Karine Pierre, Grégory Rault, Jean Rochereau, Boris Sirdey
Administration, Marc Pérennès
assisted by Pablo Bence, Pascal Bence, Leila Djedid, Franck Lejuste, Martine Minette, Maryvonne Naji, Emilien Tacheau, Claire Terrades


Coproduction Théâtre du Radeau (Le Mans) ; Théâtre National de Bretagne (Rennes) ; Association Artemps (Dijon) ; Espace Malraux, scène nationale de Chambéry et de la Savoie ; Théâtre Garonne (Toulouse) ; Théâtre de Gennevilliers, Dramatic national  Center for contemporary creation  ; Festival d’Automne à Paris
The Théâtre du Radeau is subsidized by the DRAC Pays of the Loire/Ministère of the Culture and the Communication, the District council of the Countries of the Loire, the General advice of the Sarthe and the City of Mans and receives the support of Mans Métropole, the ONDA for the tour in France and of the French Institute for the international tours.
With the support of Adami

Combining music, lighting and a scenography based on sliding panels, François Tanguy’s new play evokes a magic lantern show. In Onzième – a reference to Beethoven’s String Quartet n°11 –, texts by Shakespeare, Dostoyevsky and Kafka combine with music by Purcell, Schubert and Berio, to conjure a dreamlike version of our contemporary world, halfway between the grave and the farcical.

In the same place

T2G Théâtre de Gennevilliers – Centre Dramatique National
septembersept 19 - october – oct 19

Kurō Tanino
Maître obscur

Theatre
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In what ways does the unstoppable development of artificial intelligence (AI) permeate our lives and behaviour? Kurō Tanino, playwright of the poetry of our everyday lives and the imperceptible movements of the psyche, brings to the stage a world in which technology reveals the depths of our unconscious.

T2G Théâtre de Gennevilliers – Centre Dramatique National
octoberoct 17 – 21

Katerina Andreou
Bless This Mess

Dance
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The choreographer Katerina Andreou draws upon the constant confusion and noise of the world as the driving force in this her first group piece. Playfulness, absurdity, fiction and poetry arise from within this mental and emotional state. 

T2G Théâtre de Gennevilliers – Centre Dramatique National
novembernov 7 – 11

Satoko Ichihara
Yoroboshi: The Weakling

Theatre
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Taking his inspiration from traditional Japanese forms, playwright and director Satoko Ichihara brings us a puppet theatre for today's world. It is a troubled one, in which the story revolves around the ambiguous nature of the dolls. In this modern tale, loneliness, suffering and sexuality are the driving forces behind these puppets the various weaknesses of which makes them ever more human.

T2G Théâtre de Gennevilliers – Centre Dramatique National
novembernov 14 – 25

Marcus Lindeen
Memory of Mankind Conceived with Marianne Ségol

Theatre
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By reconstituting four perfectly extraordinary, but very real, stories Marcus Lindeen and Marianne Ségol raise questions about the notion of memory. Their unique form of theatre, in which spoken words of a personal nature are exchanged and feed off each other, is scrupulously crafted and philosophical in equal measure. 

T2G Théâtre de Gennevilliers – Centre Dramatique National
decemberdec 5 – 16

Alice Laloy
Le Ring de Katharsy

Theatre
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There are no puppets in this large-scale new work by puppeteer Alice Laloy. Instead, we encounter humans which have been transformed into avatars and then thrown into a ring In order to compete in increasingly violent matches. This mise en abyme, at the frontier between wrestling-inspired ritual and video game scenario, invites us to question the limits of a society which simply follows orders.