La Ribot
PARAdistinguidas
© © Rares Donca ©
© © Rares Donca ©
© © Rares Donca ©
PARAdistinguidas
Direction and choreography, La Ribot
Lighting, Éric Wurtz
Music, Clive Jenkins, atomTM,Carles Santos
Technical Direction and Set construction, Victor Roy
Objets, La Ribot, Victor Roy
Costumes, Pepe Rubio, La Ribot
Stage Assistant, Margaux Monetti
Photography, Louise Roy
Japanese Voice, Chiyo Ogino
Furs, José Luis Montes Matesanz
With Ruth Childs, Laetitia Dosch, Marie-Caroline Hominal, La Ribot, Anna Williams
Production La Ribot – Genève
Coproduction La Comédie de Genève – Centre dramatique ; Théâtre Pôle Sud (Strasbourg) ; Triennale d’Aichi 2010 (Nagoya, Japon) ; Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris
Product in partnership with Künstlerhaus Mousonturm (Frankfurt)
With the support of Pro Helvetia - Swiss Foundation for the culture, of the Romand Lottery, Foundation Ernst Göhner and Leenaards Foundation
La Ribot profits from the support of the Town of Geneva as well as Republic and canton of Geneva.
This work programme has been funded with support from the European Commission.This publication [communication] reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein
La Ribot is artist in residence with the Théâtre Pôle Sud (Strasbourg) for the year 2011.
Premiered at the Theatre of Hautepierre/Pôle Sud (Strasbourg) on May 18, 2011
A new step in La Ribot’s Distinguished Pieces initiated in the early 1990s, PARAdistinguidas is inspired by theater and cinema. Five professional dancers share the stage with twenty extras, picked in the cities where the work is performed. The stage becomes a meeting place for students, former actors and dancers.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Complete retrospective of films and videos
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR), extended edition
The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.