El Silencio / Romina Paula

El tiempo todo entero

Inspired from The Glass Menagerie by Tennessee Williams

Archive 2011
Theatre

THEATRE  - BUENOS AIRES / PARIS

El tiempo todo entero
inspired from Tennessee Williams’s The Glass Menagerie
Text and Direction, Romina Paula
scenography, Alicia Leloutre and Matías Sendón
Lighting, Matías Sendón
Translation, Christilla Vasserot
With Esteban Bigliardi, Pilar Gamboa, Esteban Lamothe, Susana Pampín


Production El Silencio Company
Delegated Production Théâtre du Rond-Point / Le Rond-Point des tournées
Coproduction ; Festival d’Automne à Paris
This play was produced thanks to the price 'S' to Romina Paula assigned in 2007.
Europe representation, Ligne directe – Judith Martin www.lignedirecte.net

The Paris Tandem - Buenos Aires is implemented, in Paris, by the French Institute, the Town of Buenos Aires, with the support of the Ministry for Foreign Affairs and European, the Ministry for the Culture and the Communication and the Town hall of Paris.
 

“A work on time and silence”: this is how Romina Paula describes her latest production. Paula founded her company El Silencio in Buenos Aires in 2006. Freely inspired from Tennessee Williams’s The Glass Menagerie, the play revolves around four characters, all marked by suffering. Beneath the surface, the wounds of Argentinian history can be felt.

In the same place

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Espace 1789, scène conventionnée danse – Saint-Ouen
decemberdec 19

Talents Adami Theater, Mohamed El Khatib
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What will it be this time: thunderous applause or icy silence? In Mohamed El Khatib's opinion, the inherently risky nature of stand-up comedy elevates it to a theatrical art in its own right. A framework for expression of all kinds, it clears the path for transgressive laughter, in a cathartic space which brings us all together.

Théâtre du Rond-Point
octoberoct 22 - 24

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Have a good day! arises from the collaboration of Vaiva Grainytė, Lina Lapelytė, and Rugilė Barzdžiukaitė. The three artists turn their focus toward the inner lives of cashiers in a shopping centre. “Good afternoon!”, “Thank you!”, “Have a good day!” : this opera examines what lies behind mechanical statements and their associated perfunctory gestures.

Théâtre du Rond-Point
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Points communs – Théâtre 95
novembernov 21 - 22

Mohamed Bourouissa, Zazon Castro
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At the crossroads between theatre and stand-up, the first show by the visual artist Mohamed Bourouissa brings to the stage the different phases in the life of a woman in prison and its transformations. In the absence of pathos, the piece uses humour to circumvent the arduous nature of its subject matter.

Théâtre du Rond-Point
novembernov 22 - 24

Lina Majdalanie, Rabih Mroué
33 tours et quelques secondes

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Who is Diyaa Yamout, the Lebanese human rights activist, artist and blogger whose suicide shook the nation? We will never really know and this is not what matters. Indeed, what is far more fascinating here is the profusion of assorted reactions on Facebook, the television, and in the form of SMS and answering machine messages