Daniel Veronese
le développement de la civilisation à venir
Inspired by Henrik Ibsen’s A Doll’s House
© © Inboccalupo ©
THEATRE - BUENOS AIRES / PARIS
Le développement de la civilisation à venir / El desarrollo de la civilización venidera
Inspired by A Doll’s House by Henrik Ibsen
Adaptation and Direction, Daniel Veronese
Scenography, Daniel Veronese
from Bundin Ingles by Ariel Vaccaro
Direction Assistant, Felicitas Luna
With Mara Bestelli, Maria Figueras, Berta Gagliano, Carlos Portaluppi, Roly Serrano
Diffusion, Ligne directe – Judith Martin www.lignedirecte.net
Production Sebastián Blutrach
Avec la collaboration de Iberescena, Proteatro, Instituto Nacional del teatro
Delegated Production in France Festival d’Automne à Paris
Corealisation Théâtre de la Bastille (Paris) ; Festival d’Automne à Paris The Paris Tandem - Buenos Aires is implemented, in Paris, by the French Institute, the Town of Buenos Aires, with the support of the Ministry for Foreign Affairs and European, the Ministry for the Culture and the Communication and the Town hall of Paris.
Premiered at the Théâtre Camarin de las musas (Buenos Aires) July 2009
Inspired by Henrik Ibsen’s A Doll’s House, Daniel Veronese brings its plot up to date to reflect the personal conflicts of contemporary spectators. The apparently mundane arguments between Nora and her husband highlight men’s continuing domination over women.
The audience sits onstage next to the actors, who perform in an improvised set, leaving no room for theatrical illusion.
In the same place
Gurshad Shaheman, Dany Boudreault Sur tes traces
The piece takes us a road-trip in the form of a double portrait involving two destinies, namely those of Gurshad Shaheman born in Iran, and Dany Boudreault in Quebec. Authors, directors and performers, the two artists got to know each other in Europe. Here, each of them sets off in search of their respective pasts.
Marion Duval Cécile
Certain encounters are life-changing. This piece is about Marion Duval's encounter with Cécile Laporte, an activist and author to whom she has decided to dedicate a show. The resulting 'truth-performance' is an inspiring one and enables us to embrace the unbearable complexity of the world in a light-hearted way.
Jaha Koo Haribo Kimchi
Haribo Kimchi, a hybrid performance combining text, music, video and robotics, embraces South Korean cuisine as part of an investigation into cultural assimilation, together with its conflicts and paradoxes. It enables Jaha Koo to ask questions first raised in his Hamartia trilogy.