Berlin
Tagfish
Klaus Lefebvre ©
Tagfish
Concept, Berlin (Bart Baele, Yves Degryse)
Research, Berlin
Photography, Bart Baele
Interviews, Yves Degryse
Editing, Bart Baele, Geert De Vleesschauwer
Soundtrack and Mixing, Peter Van Laerhoven
Sound Recording, Tom De With, Maarten Moesen, Dimitry De Cock, Bas de Caluwé
Construction set, Technical Team of Schauspielhaus Essen, Théâtre royal de la Monnaie, Babs Boey, Anne Heyman
Set and technical coordination, Linde Raedschelders
video System and chairs, Manu Siebens, Fisheye
Costumes, Kirstin van der Weken, Kim Troubleyn
Technical help, Jeroen Wuyts
Recording, Annika Serong, Anne Habermann, Peter Hassaers
Subtitles, Sabrina Apitz
Characters, Hans-Jürgen Best, Kaspar Kraemer, Wolfgang Kintscher, Thomas Rempen, Rolf Heyer, Christoph Finger, Kostas Mitsalis
With thz Consolidation Choir
Production, Natalie Schrauwen
postproduction Assistant , Frank Lanssen
Sketches hotel, Kim Troubleyn
production Assistante, Kate Olsen
Catering, Kim Troubleyn
Manager, Kurt Lannoye Cinema / Documentary Theater
Production Berlin
Coproduction Theater der Welt (Mülheim) ; STUK (Leuven) ; Festival TEMPS D'IMAGES 2011 / La Ferme du Buisson, Scène nationale de Marne-la-Vallée ; Wiener Festwochen (Vienne)
Corealisation La Ferme du Buisson, Scène nationale de Marne-la-Vallée ; Festival d’Automne à Paris
Festival TEMPS D’IMAGES is proposed by ARTE and La Ferme du Buisson.
With the support of Flemish Government
Thanks to Pact Zollverein
Berlin is staying in Kunstencentrum STUK (Leuven)
In association with the Land of Rhénanie du Nord-Westphalie
Premiere July 2 2010 in Ringlokschuppen (Mülheim)
Founded in Antwerp in 2003, the art collective Berlin creates hybrid works combining documentary practices and video installations. After the “Holocene” series which drew portraits of cities, they chose the Zollverein in the Ruhr region, an industrial site turned cultural venue and a symbol of the region’s renewal. Their multi-screen installation shows the real estate interests underpinning the project, mixing fiction and reality.
In the same place
LIMINAL, Forensic Oceanography, Border Forensics From Sea to Sky
Featuring different works by the LIMINAL, Forensic Oceanography and Border Forensics collectives, the multimedia installation From Sea to Sky approaches intersectional immobility and frontier-based violence at sea. The objective is to highlight the way in which the Mediterranean maritime space has been transformed into a militarized border zone.
Lawrence Abu Hamdan Zifzaafa
Zifzaafa, is an arabic word to describe a wind that shakes and rattles all in its path. Here, it becomes the title of a performance of artist and researcher Lawrence Abu Hamdan, that enmeshes sonic composition, video game engines and spoken word, to immerse us in the heart of a movement to resist green colonialism in the occupied Syrian Golan heights.
Alessandro Sciarroni U. (un canto)
A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.
Lina Majdalanie, Rabih Mroué Quatre murs et un toit
In 1947, the trial of German playwright Bertolt Brecht took place in the United States in front of the House Un-American Activities Committee (HUAC), responsible for combating communist activism. It was here that Brecht wrote a declaration which he was forbidden to read out. The minutes of the trial, as well as this declaration, constitute one of the axes of this exuberant show.