Raimund Hoghe

Si je meurs laissez le balcon ouvert

Archive 2010
Dance
1/2

Si je meurs laissez le balcon ouvert
Concept and choeography, Raimund Hoghe

Artistic Collaboration, Luca Giacomo Schulte
Set, Costumes, Light, Raimund Hoghe
Photography, Rosa Frank
Light, Raimund Hoghe, Dimitar Evtimov
Sound, Silas Bieri
Production, Arnaud Antolinos

With Ornella Balestra, Marion Ballester, Astrid Bas, Lorenzo De Brabandere, Emmanuel Eggermont, Raimund Hoghe, Yutaka Takei, Takashi Ueno, Nabil Yahia-Aïssa

 

Production Cie Raimund Hoghe (Düsseldorf-Paris)
Coproduction Festival Montpellier Danse 2010 ; Centre Chorégraphique National de Franche-Comté à Belfort dans le cadre de l’accueil-studio/
ministère de la Culture et de la communication/DRAC Franche-Comté et de la convention CulturesFrance / Conseil Régional de Franche-Comté ; Centre national de Danse contemporaine (Angers) ; Culturgest (Lisbonne) ; Le Vivat, Scène conventionnée d’Armentières ; Tanzhaus NRW (Düsseldorf) ;Les Spectacles vivants – Centre Pompidou ; Festival d’Automne à Paris
With the support of Kulturamt der Landeshauptstadt Düsseldorf and La Ménagerie de Verre (Paris) under the aegis of Studiolab
In association with the  Land de Rhénanie du Nord-Westphalie

Premiere June 30  and July 1, 2010 at the Théâtre de Grammont under the aegis of Festival Montpellier Danse 2010

Raimund Hoghe’s latest work is a political and sentimental invocation inspired by Dominique Bagouet’s creation Necesito. Recalling the 1980s – a thriving period for dance and the time Hoghe collaborated with Pina Bausch –, it brings memories and music together to create a choreography of mourning. Fragment texts complete the piece, including evocations of Federico Garcia Lorca and Hervé Guibert.
 

In the same place

Centre Pompidou
septembersept 27 – 29

Mathilde Monnier
Territoires

Dance
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In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.

Centre Pompidou
octoberoct 2 - november – nov 2

Apichatpong Weerasethakul
Complete retrospective of films and videos

Visual arts Focus
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Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.

Centre Pompidou
octoberoct 2 - january – jan 2

Apichatpong Weerasethakul
Night Particles

Visual arts Focus
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The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.

Centre Pompidou
octoberoct 5 – 14

Apichatpong Weerasethakul
A Conversation with the Sun (VR), extended edition

Performance Focus

The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.

Centre Pompidou
octoberoct 23 – 26
Points communs – Théâtre 95
novembernov 12 – 13

Ligia Lewis
Still Not Still

Dance
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In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.

Centre Pompidou
novembernov 27 – 30

Forced Entertainment
Signal to Noise

Theatre
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Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.

Centre Pompidou
decemberdec 13 – 22
Théâtre des Quartiers d'Ivry
januaryjan 22 – 26

Sébastien Kheroufi
Par les villages

Theatre
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Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.