Nicolas Bouchaud

La Loi du marcheur

Archive 2010
Theatre
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La Loi du marcheur (interview  with Serge Daney)
Concept by and with Nicolas Bouchaud
adapted from Serge Daney, Itinéraire d’un ciné-fils, a film by Pierre-André Boutang and Dominique Rabourdin
Direction, Éric Didry
Artistic Collaboration, Véronique Timsit
Light, Philippe Berthomé
Scenography, Élise Capdenat
Sound, Manuel Coursin
Stage Manager and Light, Ronan Cahoreau-Gallier
Video, Romain Tanguy, Quentin Vigier
Internship, Margaux Eskenazi, Hawa Kone
Production déléguée Théâtre du Rond-Point / Le Rond-Point des tournées
Coproduction Théâtre National de Toulouse Midi-Pyrénées ; Cie Italienne avec Orchestre ; Festival d’Automne à Paris
Partnership with France Inter

Nicolas Bouchaud revisits the life of cinema critic Serge Daney, a name closely associated with the French New Wave and the magazine Les Cahiers du Cinéma. The play is based on a long interview Daney gave shortly before his death from AIDS. Sharing the stage with projected scenes from Rio Bravo by Howard Hawks, Bouchaud explores the beguiling force of cinema.
 

In the same place

Théâtre du Rond-Point
octoberoct 15 – 19
Espace 1789, scène conventionnée danse – Saint-Ouen
decemberdec 19 – 20

Talents Adami Theater, Mohamed El Khatib
Stand-up

Theatre
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What will it be this time: thunderous applause or icy silence? In Mohamed El Khatib's opinion, the inherently risky nature of stand-up comedy elevates it to a theatrical art in its own right. A framework for expression of all kinds, it clears the path for transgressive laughter, in a cathartic space which brings us all together.

Théâtre du Rond-Point
octoberoct 22 – 24

Vaiva Grainytė, Lina Lapelytė, Rugilė Barzdžiukaitė
Have a Good Day!

Performance Focus
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Have a good day! arises from the collaboration of Vaiva Grainytė, Lina Lapelytė, and Rugilė Barzdžiukaitė. The three artists turn their focus toward the inner lives of cashiers in a shopping centre. “Good afternoon!”, “Thank you!”, “Have a good day!” : this opera examines what lies behind mechanical statements and their associated perfunctory gestures.

Théâtre du Rond-Point
novembernov 5 – 17
Points communs – Théâtre 95
novembernov 21 – 22

Mohamed Bourouissa, Zazon Castro
Quartier de femmes

RépertoireTheatre
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At the crossroads between theatre and stand-up, the first show by the visual artist Mohamed Bourouissa brings to the stage the different phases in the life of a woman in prison and its transformations. In the absence of pathos, the piece uses humour to circumvent the arduous nature of its subject matter.

Théâtre du Rond-Point
novembernov 22 – 24

Lina Majdalanie, Rabih Mroué
33 tours et quelques secondes

Theatre Portrait
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Who is Diyaa Yamout, the Lebanese human rights activist, artist and blogger whose suicide shook the nation? We will never really know and this is not what matters. Indeed, what is far more fascinating here is the profusion of assorted reactions on Facebook, the television, and in the form of SMS and answering machine messages