Mette Ingvartsen / Jefta van Dinther

It’s in the Air

Archive 2010
Dance
Théâtre de la Cité internationale
octoberoct 7 – 11

© © Peter Lenaerts ©

© © Peter Lenaerts ©

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It’s in the Air
Choreography and Performance, Jefta van Dinther and Mette Ingvartsen
Light and Set Design , Minna Tiikkainen
Sound and Photography, Peter Lenaerts
Dramaturgy, Bojana Cvejic
Technic, Oded Huberman
Production Management, Kerstin Schroth
Production Mette Ingvartsen/Great Investment and Jefta van Dinther/Sure Basic
Coproduction PACT Zollverein (Essen) ; Hebbel am Ufer (Berlin) ; Kaaitheater (Brussels) 
Corealisation Théâtre de la Cité internationale ; Festival d’Automne à Paris
Funded by Haupstadtkulturfonds (Berlin) and Kunstradet, Danish Arts Council (Denmark)
Avec le soutien de Eurotramp (Allemagne), Les Brigittines (Bruxelles), Charleroi/Danses, Centre Chorégraphique de la Communauté Française de Belgique (Brussels), Ballhaus Naunynstraße (Berlin) and sommer.bar 2007 a project of Tanz im August (Berlin)

It’s in the Air is an aerial, dynamic piece in which the two dancers use trampolines as extensions of their bodies. The infinite swinging of bodies propelled in the air paradoxically creates an impression of stillness. The choreography produces a quasi-cinematic experience, displaying all the nuances between activity and passivity.

In the same place

Théâtre de la Cité internationale
octoberoct 4 – 6

Steven Cohen
Boudoir

RépertoireVisual arts

If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Théâtre de la Cité internationale
octoberoct 22 – 25

Lina Majdalanie, Rabih Mroué
Photo-Romance

Theatre Portrait
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How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.