Alain Buffard

Tout va bien

Archive 2010
Dance
1/3

Tout va bien
Choreography and Direction, Alain Buffard
Assistant, Fanny de Chaillé
Interpretation, Lorenzo de Angelis, Raphaëlle Delaunay, Armelle Dousset, Jean-Claude Nelson, Olivier Normand, Tamar Shelef, Betty Tchomanga, Lise Vermot
Light, Yves Godin
Costumes, Misha Ishibashi
Stage Manager, Christophe Poux
Production PI:ES
Coproduction Théâtre de Nîmes ; Festival Montpellier danse 2010 ; Les Spectacles vivants – Centre Pompidou ;
Ménagerie de Verre – Paris ; Centre chorégraphique national de Caen/Basse Normandie ; Festival d’Automne à Paris
With the support of Adami
With the support of ARCADI
With the support of Centre national de danse contemporaine d’Angers and Centre de Développement Chorégraphique de Toulouse/Midi-Pyrénées
Alain Buffard is the associated artist at the Théâtre de Nîmes for the years  2010/2011 and 2011/2012.
PI:ES is helped by  DRAC Île-de-France,  ministère de la Culture et de la Communication and CulturesFrance
Premiere June 21 and 22 at the  Festival Montpellier Danse 2010

A former dancer with Régine Chopinot and Philippe Découflé, Alain Buffard has been exploring themes of vulnerability and domination since the creation of Good Boy in 1998. His new piece explores the mechanisms of anger. Using military gestures in parody, Alain Buffard reflects on ordinary subservience, creating what he calls a “playful guerilla”.
 

In the same place

Centre Pompidou
septembersept 27 – 29

Mathilde Monnier
Territoires

Dance
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In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.

Centre Pompidou
octoberoct 2 - november – nov 2

Apichatpong Weerasethakul
Rétrospective

Visual arts Focus

Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.

Centre Pompidou
octoberoct 2 - december – dec 2

Apichatpong Weerasethakul
Night Particles

Visual arts Focus

The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.

Centre Pompidou
octoberoct 5 – 14

Apichatpong Weerasethakul
A Conversation with the Sun (VR)

Performance Focus
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A Conversation with the Sun (VR), the Thai filmmaker's second foray into the realm of performance, uses virtual reality to set up the conditions for a collective dream.

Centre Pompidou
octoberoct 23 – 26
Points communs – Théâtre 95
novembernov 12 – 13

Ligia Lewis
Still Not Still

Dance
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In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.

Centre Pompidou
novembernov 27 – 30

Forced Entertainment
Signal to Noise

Theatre
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Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.

Centre Pompidou
decemberdec 13 – 22
Théâtre des Quartiers d'Ivry
januaryjan 22 – 26

Sébastien Kheroufi
Par les villages

Theatre
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Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.