Anne Teresa De Keersmaeker

After P.A.R.T.S.

Archive 2010
Dance
Théâtre de la Cité internationale
octoberoct 2 – 3

© © Bart Grietens ©

© © Bart Grietens ©

1/2

After P.A.R.T.S.
13 propositions young choreographers coming from P.A.R.T.S.
Tarek Halaby, Eleanor Bauer, Busy Rocks, Fabian Barba, Albert Quesada, Pieter Ampe & Guilherme Garrido, Daniel Linehan, Noé Soulier, Veli Lehtovaara, Mikko Hyvönen and Salka Ardal Rosengren, Charlotte Vanden Eynde

Saturday Octobre 2, 17h to the Galerie
Daniel Linehan – Not About Everything
Duration : 30 minutes
Choreography and dance, Daniel Linehan
Light, Joe Levasseur
Dramaturgy, Juliette Mapp

Mikko Hyvönen et Salka Ardal Rosengren – Trash Talk
17h30, to the Galerie
Duration : 20 minutes
In English
Choreography and dance, Mikko Hyvönen et Salka Ardal Rosengren
Coach, Mette Ingvartsen

Noé Soulier – The Kingdom of Shades
18h30 to the Coupole
Duration : 20 minutes
Choreography and dance, Noé Soulier

Veli Lehtovaara – Paper Plane
19h to the Coupole
Duration : 45 minutes
Choreography, Veli Lehtovaara
Dance, Aron Blom, Maria Ferreira Silva, Mikko Hyvönen
Sound, Masi Tiitta / Sound Technichs, Oula Susi / Light, Jan Sulak
Photography, Noomi Ljungdell, Veli Lehtovaara
Music, Jean Sébastien Bach, Nick Cave

Tarek Halaby – An Attempt to Understand my socio-political disposition through artistic research on personal identity in relationship to the Palestinian-Israeli conflict, Part One
21h to the Resserre
Duration : 40 minutes
In English
Choreography and dance, Tarek Halaby

Charlotte Vanden Eynde – I’m Sorry It’s (Not) A Story
21h to the Galerie
Duration : 50 minutes
Choreography and dance, Charlotte Vanden Eynde
Coach, Nada Gambier
Music, Brigitte Fontaine Où vas-tu petit garçon, Lhasa De Cara a la Pared\Face to the Wall remixé by David De Beukelaer
Light, Ann-Sophie Hoste / Technic, Elke Verachtert
 

Pieter Ampe and Guilherme Garrido – Still Standing You
22h15 to the Galerie
Duration : 50 minutes
Choreography and dance, Pieter Ampe et Guilherme Garrido
Dramaturgy, Rita Natálio
Assistants, Louise Van den Eede

 Sunday October 3

Busy Rocks – Dominos and Butterflies
14h30 at the Coupole
Duration : 50 minutes
Choreography, Busy Rocks
Dance, Franziska Aigner, Fabián Barba, Marisa Cabal, Tuur Marinus, Gabriel Schenker
Light, Etienne Guilloteau / Technic, Brian Broeders
 

Eleanor Bauer – (BIG GIRLS DO BIG THINGS)
16h à la Galerie
Duration : 50 minutes
In English
Choreography and dance, Eleanor Bauer
Costumes, Ada Rajszys
Music, Jean Sibelius Swan of Tuonela
 

Daniel Linehan– Being Together Without Any Voice
16h à la Resserre
Durée : 30 minutes
Chorégraphie, Daniel Linehan
Danse, Daniel Linehan, Anne Pajunen, Noé Soulier, Anna K. Whaley

Noé Soulier – Little Perceptions
17h to the Resserre
Duration : 25 minutes
Choreography, Noé Soulier
Dance, Thibault Lac, Daniel Linehan, Noé Soulier
Music, François Couperin Les Folies Françaises, Jean Sébastien Bach Le Clavier bien tempéré, Prélude n°15 en G majeur
Coach, Mette Ingvartsen

Albert Quesada – Solos Bach & Gould
18hto the Coupole
Duration : 50 minutes
In English
Choreography, Albert Quesada
Dance, Albert Quesada, Federica Porello
Adaptation and creation, Federica Porello, Mireia de Querol, Petra Söör
Music, Jean Sébastien Bach Variations Goldberg, interprétation Glenn Gould (extraits d’enregistrements de 1955 et de 1981)
Images, Toni Bofill

Fabián Barba – A Mary Wigman Dance Evening
20h30 to the Coupole
Duration : 45 minutes
Choreography and dance, Fabián Barba
Advices, Katharine Sehnert, Irene Sieben, Susanne Linke
Costumes, Sarah-Christine Reuleke / Light, Geni Diez
Music, Hanns Hasting, Sascha Demand 
Corealisation Théâtre de la Cité internationale ; Festival d’Automne à Paris
With the support of SACD

Same as for the 10th P.A.R.T.S Birthday The SACD is engaged with the Festival d'Automne as to discover young choreographers and is happy to help the great pedagogical work of Anne Teresa De Keersmaeker and her Team

In 1995, Anne Teresa De Keersmaeker founded P.A.R.T.S., an interdisciplinary dance school based in Brussels, where contemporary dance, theater, performance and music analysis are taught. Over 15 years, P.A.R.T.S. has gained worldwide recognition as an institution training unique artists. The Festival d’Automne showcases the school’s creativity.

See also

Théâtre de la Ville – Sarah Bernhardt
septembersept 13 – 22

Anne Teresa De Keersmaeker, Radouan Mriziga / Rosas, A7LA5
Il Cimento dell’Armonia e dell’Inventione

Dance

In collaboration with the choreographer and dancer Radouan Mriziga, the challenge taken up by Anne Teresa De Keersmaeker is to make Vivaldi's Four Seasons heard, using the tools of dance to hone the way we listen to this baroque masterpiece. Under the auspices of abstraction, the resulting alliance reconnects with the imaginary ecological world that is conjured up by this famous concerto.
Fondation Fiminco
decemberdec 16 – 20

Rabih Mroué, Anne Teresa De Keersmaeker
A little bit of the moon

DancePerformance Portrait
Buy tickets

As part of a special invitation by the Festival d'Automne, choreographer Anne Teresa De Keersmaeker and director Rabih Mroué shared, over the course of ten months, their thoughts, concerns, doubts, and questions regarding politics, art and life. After numerous exchanges by videoconference, the two artists now come together on the site of the former industrial complex, the new home of the Fiminco Foundation.

In the same place

Théâtre de la Cité internationale
octoberoct 4 – 6

Steven Cohen
Boudoir

RépertoireVisual arts

If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Théâtre de la Cité internationale
octoberoct 22 – 25

Lina Majdalanie, Rabih Mroué
Photo-Romance

Theatre Portrait
Buy tickets

How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.