Young Jean Lee
Young Jean Lee's Theater Company
THE SHIPMENT
THE SHIPMENT
Young Jean Lee's Theater Company
written and directed by, Young Jean Lee
with Jordan Barbour, Mikeah Ernest Jennings, Douglas Scott Streater, Prentice Onayemi, Amelia Workman
Scenic Design: David Evans Morris
Costume Design: Roxana Ramseur
Lighting Design: Mark Barton
Sound Design: Matthew Tierney
Choreography: Faye Driscoll
Company Management: Caleb Hammons
Associate Lighting Designer / Lighting Supervisor: Raquel Davis
Sound Technician: Jason Sebastian
Stage Management by: Seymour
Production, Compagnie Young Jean Lee
Corealisation Théâtre de Gennevilliers ; Festival d’Automne à Paris
Co-commisiond by the Wexner Center for the Arts at The Ohio State University and The Kitchen
With the support of Rockefeller MAP Foundation, Jerome Foundation, Greenwall Foundation, Tobin Foundation, New York State Council on the Arts
With residency support of Brooklyn Arts Exchange, Collapsable Hole, IRT Theater, MacDowell Colony, New Dramatists, Orchard Project and Yaddo
With production support of Edith Lutyens and Norman Bel Geddes Foundation
Thanks to Ford Foundation and APAP/Ensemble Theatre Collaborations Grant Program
Dates of tour :
Zurich Theater Spektakel , August 28 to 30
PICA TBA Festival / Portland, Decembre 4 and 5
Rotterdam Seschouwburg / Holland, Septembre 12 to 14
On the Boards / Seattle , Octobre 1 to 4
Pro Arts Austin Black Arts Movement Festival, Octobre 23 and 24
Young Jean Lee’s previous play Songs Of The Dragons Flying To Heaven was a fierce satire of the Korean community in the U.S. THE SHIPMENT pursues this politically incorrect exploration of identity. Taking up clichés about African-Americans to turn them inside out, the play denounces the persistent power of race representations.
In the same place
Kurō Tanino Maître obscur
In what ways does the unstoppable development of artificial intelligence (AI) permeate our lives and behaviour? Kurō Tanino, playwright of the poetry of our everyday lives and the imperceptible movements of the psyche, brings to the stage a world in which technology reveals the depths of our unconscious.
Katerina Andreou Bless This Mess
The choreographer Katerina Andreou draws upon the constant confusion and noise of the world as the driving force in this her first group piece. Playfulness, absurdity, fiction and poetry arise from within this mental and emotional state.
Satoko Ichihara Yoroboshi: The Weakling
Taking his inspiration from traditional Japanese forms, playwright and director Satoko Ichihara brings us a puppet theatre for today's world. It is a troubled one, in which the story revolves around the ambiguous nature of the dolls. In this modern tale, loneliness, suffering and sexuality are the driving forces behind these puppets the various weaknesses of which makes them ever more human.
Marcus Lindeen Memory of Mankind Conceived with Marianne Ségol
By reconstituting four perfectly extraordinary, but very real, stories Marcus Lindeen and Marianne Ségol raise questions about the notion of memory. Their unique form of theatre, in which spoken words of a personal nature are exchanged and feed off each other, is scrupulously crafted and philosophical in equal measure.
Alice Laloy Le Ring de Katharsy
There are no puppets in this large-scale new work by puppeteer Alice Laloy. Instead, we encounter humans which have been transformed into avatars and then thrown into a ring In order to compete in increasingly violent matches. This mise en abyme, at the frontier between wrestling-inspired ritual and video game scenario, invites us to question the limits of a society which simply follows orders.