Xavier Le Roy / Helmut Lachenmann

Xavier Le Roy

More Mouvements für Lachenmann

Archive 2008
Music
1/3

Music / Dance
Xavier Le Roy
More Mouvements für Lachenmann
For eight musicians
Music, Helmut Lachenmann
Pression, for cello
Salut für Caudwell,for guitar duo
Gran Torso, first string quartet
Choreography, Xavier Le Roy
Dramaturgy, Bojana Cvejic and Berno Odo Polzer
Guitars duo, Gunter Schneider and  Barbara Romen
Tom Pauwels and Günther Lebbing
String quartet,  Annette Bik, Sophie Schafleitner, violin
Dimitrios Polisoidis,
alto
Andreas Lindenbaum,
cello

Produced by le Kwatt, In Situ Productions
Co-produced by the Festival Montpellier Danse 2008 ; Centre chorégraphique national de Montpellier Languedoc-Roussillon ; Le Cent Quatre ; Tanzquartier Wien and Wien Modern ; Festival d’Automne à Paris
Salut für Caudwell was co-produced by Wiener Taschenoper in 2005
With the support ofKlangforum Wien
A work presented during the European Cultural Season in France (1st of July- 31st of December)

The art of choreography for Xavier Le Roy comes together with the art of music for Helmut Lachenmann, exploring not only dimensions of movement in dance, but also the theatrical side of musical performance, joined in a complex relationship of sight and sound.
Lachenmann’s “concrete instrumental music” is broken down into fragments, embarking on different levels – subjective and suggestive, imaginary and ephemeral – in the realm of aesthetic experience.

In the same place

CENTQUATRE-PARIS
octoberoct 5 - november – nov 5

LIMINAL, Forensic Oceanography, Border Forensics
From Sea to Sky

Visual arts
Free

Featuring different works by the LIMINAL, Forensic Oceanography and Border Forensics collectives, the multimedia installation From Sea to Sky approaches intersectional immobility and frontier-based violence at sea. The objective is to highlight the way in which the Mediterranean maritime space has been transformed into a militarized border zone.

CENTQUATRE-PARIS
octoberoct 5 – 10

Lawrence Abu Hamdan
Zifzafa

Performance
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Zifzafa, is an arabic word to describe a wind that shakes and rattles all in its path. Here, it becomes the title of a performance of artist and researcher Lawrence Abu Hamdan, that enmeshes sonic composition, video game engines and spoken word, to immerse us in the heart of a movement to resist green colonialism in the occupied Syrian Golan heights. 

CENTQUATRE-PARIS
novembernov 5 – 8
Maison de la musique de Nanterre – Scène conventionnée d’intérêt national
novembernov 9
Théâtre Louis Aragon, Scène conventionnée d’intérêt national Art et création – danse – Tremblay-en-France
novembernov 30

Alessandro Sciarroni
U. (un canto)

Performance
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A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.

CENTQUATRE-PARIS
decemberdec 4 – 8

Lina Majdalanie, Rabih Mroué
Quatre murs et un toit

Theatre Portrait
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In 1947, the trial of German playwright Bertolt Brecht took place in the United States in front of the House Un-American Activities Committee (HUAC), responsible for combating communist activism. It was here that Brecht wrote a declaration which he was forbidden to read out. The minutes of the trial, as well as this declaration, constitute one of the axes of this exuberant show.