Ryoji Ikeda
Ryoji Ikeda
Datamatics [ver.2.O]
Ryoji Ikeda / Installations © Ryuichi Maruo ©
Fukunaga courtesy of Yamaguchi Center of Arts and Media ©
Direction, conception and composition, Ryoji Ikeda
Computer graphic conception, Shohei Matsukawa, Daisuke Tsunoda, Tomonaga Tokuyama, Norimichi Hirakawa
Produced by Forma
Made-to-order for the AV Festival 06/ ZeroOne San José/ ISEA 2006
With the support of Recombinant Media Labs
Co-produced by YCAM/ Les Spectacles Vivants-Centre Pompidou
Co-realized by the Festival d'Automne à Paris and les Spectacles Vivants-Centre Pompidou
Supported by Nomura, the Franco-Japanese Sasakawa Foundation, and the Foundation for the study of the Japanese language and culture, working under the aegis of the Foundation of France
Within the context of the 150th anniversary of Franco-Japanese relations
To me, beauty is crystal; rationality, precision, simplicity, elegance, delicacy.
The sublime is infinity; infinitesimal, immensity, indescribable, ineffable.
The purest beauty is the world of mathematics. Its perfect assemblage amongst numbers, magnitudes and forms persist despite us.
The aesthetic experience of the sublime in mathematics is awe-inspiring. It is similar to the experience we have when we confront the vast magnitude of the universe, which always leaves us openmouthed.
The aim of this project is to engage in dialogue with the mathematician Benedict Gross and other number theorists to find a common language on aesthetics.
Ryoji Ikeda
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Rétrospective
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR)
A Conversation with the Sun (VR), the Thai filmmaker's second foray into the realm of performance, uses virtual reality to set up the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.