Raimund Hoghe

Raimund Hoghe

L’Après-midi

Archive 2008
Dance
Théâtre de la Cité internationale
decemberdec 15 – 20

© @ Rosa-Frank ©

© @ Rosa-Frank ©

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L’Après-midi
 (the Afternoon)
A solo for Emmanuel Eggermont

Creation and choreography, Raimund Hoghe
Dance, Emmanuel Eggermont
Artistic collaboration, Luca Giacomo Schulte
Lighting, Raimund Hoghe, Amaury Seval
Sound, Frank Strätker
Music,

Prélude à l’Après-midi d’un faune

of Claude Debussy and

Lieder

of Gustav Mahler
Administration, Julie Bordez


Produced by Cie Raimund Hoghe
Co-produced by the Festival Montpellier Danse 2008; Théatre Garonne/ Toulouse; Théatre im Pumpenhaus Münster
Co-realized by the Théatre de la Cité Internationale and the Festival d'Automne à Paris

Created within the context of the France-Norhein-Westfalen season 2008/2009
With the support of the Rhineland of Northern-Westphalia
With the support of the Centre Choréographique National de Franche-Comté à Belfort, which provided a studio/The French Ministry of Culture and Communication 
A work presented during the European Cultural Season in France (1st of July- 31st of December) 
 
After Swan Lake and Boléro Variations, Raimund Hoghe, continues to passionately re-appropriate some of the greatest classics in the history of dance. With L'Après-midi, the choreographer gives young French dancer Emmanuel Eggermont the opportunity to follow in the giant footsteps of
Nijinsky. Resulting in a solo that is as radiant as it is unique.

In the same place

Théâtre de la Cité internationale
octoberoct 4 – 6

Steven Cohen
Boudoir

RépertoireVisual arts

If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Théâtre de la Cité internationale
octoberoct 22 – 25

Lina Majdalanie, Rabih Mroué
Photo-Romance

Theatre Portrait
Buy tickets

How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.