Deborah Hay

Deborah Hay

If I Sing To You

Archive 2008
Dance
1/2
If I Sing To You
Creation

Choreography and direction, Deborah Hay
With Michelle Boulé, Jeanine Durning, Catherine Legrand, Juliette Mapp Vera Nevanlinna, Amelia Reeber
Choreography assistant, Laurent Pichaud
Costume consultants, Laurend Pichaud
Make-up, Moritz G.  

Production and diffusion, Tricia Pierson
Made-to-order for The Forsythe Company
Co-produced by Deborah Hay Dance Company / Zodiak Center for New Dance, Helsinki / Howard Gilman Foundation, New York, / Maggie Allesee Center for Choreography at Florida State University.
With the support of the Baryshnikov Dance Foundation.
Co-realized by the Spectacles vivants-Centre Pompidou and the Festival d'Automne à Paris
Accompanied by the Adami
A past performer in the Merce Cunningham Dance Company and one of the founding members of New York’s Judson Dance Theater, Deborah Hay has already been the Festival d’Automne à Paris’s guest in 2005 and 2006 (The Match and O,O).
Since the middle of the 1960s, just like Yvonne Rainer, Steve Paxton, Simone Forti or Trisha Brown, she has been striving to push back the frontiers of dance culture, trying to take away its sacred aura. A subtle and witty composition written for six female voices, If I Sing To You was commissioned by William Forsythe Company.

In the same place

Centre Pompidou
septembersept 27 – 29

Mathilde Monnier
Territoires

Dance
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In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.

Centre Pompidou
octoberoct 2 - november – nov 2

Apichatpong Weerasethakul
Complete retrospective of films and videos

Visual arts Focus
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Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.

Centre Pompidou
octoberoct 2 - january – jan 2

Apichatpong Weerasethakul
Night Particles

Visual arts Focus
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The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.

Centre Pompidou
octoberoct 5 – 14

Apichatpong Weerasethakul
A Conversation with the Sun (VR), extended edition

Performance Focus

The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.

Centre Pompidou
octoberoct 23 – 26
Points communs – Théâtre 95
novembernov 12 – 13

Ligia Lewis
Still Not Still

Dance
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In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.

Centre Pompidou
novembernov 27 – 30

Forced Entertainment
Signal to Noise

Theatre
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Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.

Centre Pompidou
decemberdec 13 – 22
Théâtre des Quartiers d'Ivry
januaryjan 22 – 26

Sébastien Kheroufi
Par les villages

Theatre
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Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.