Caterina Sagna
Caterina Sagna
P.O.M.P.E.I
© © Caterina Sagna, photo : Philippe Gladieux ©
© @ Patrizio Esposito ©
© @ Patrizio Esposito ©
(Presque Oubliées Mais Peut-Être Immortelles)
Choreography:, Caterina Sagna
Dramaturgy, Roberto Fratini Serafide
Scenography and costumes, Tobia Ercolino
Choice of music, Luca Berni
Audio recording and editing, Carlo Bottos
Video direction and editing, Daniele Riccioni
Photo direction, David Becheri
Lighting, Philippe Gladieux
With Alessandro Bernardeschi, Antonio Montanile, Mauro Paccagnella
Video featuring Viviane De Muynch, Maria Fossati, Elena Paccagnella
Produced by: the Caterina Sagna company; Association Next/ Rennes
Co-produced by Napoli Teatro Festival Italia ; Théâtre Garonne/Toulouse ;
Théâtre de la Ville- Paris ; Théâtre de la Bastille ; Théâtre de l’Agora/Evry,Pôle Sud (Strasbourg) - Scène Conventionnée Danse et
Festival d’Automne à Paris
Distribution: Céline Gaudron
Administration: Dominique Mahé
With the support of the HenPhil Pillsbury Fund, the Minneapolis Foundation & King Fountain
Accompanied by the Adami
That is the question asked in the second part of Catherina Sagna's diptych P.O.M.P.E.I.
Here we have three dancers fighting against their own bodies and a video installation showing women of various ages and shapes. Yielding a work, 'which like a city buried under lava incarnates the mystery of form’.
In the same place
Gurshad Shaheman, Dany Boudreault Sur tes traces
The piece takes us a road-trip in the form of a double portrait involving two destinies, namely those of Gurshad Shaheman born in Iran, and Dany Boudreault in Quebec. Authors, directors and performers, the two artists got to know each other in Europe. Here, each of them sets off in search of their respective pasts.
Marion Duval Cécile
Certain encounters are life-changing. This piece is about Marion Duval's encounter with Cécile Laporte, an activist and author to whom she has decided to dedicate a show. The resulting 'truth-performance' is an inspiring one and enables us to embrace the unbearable complexity of the world in a light-hearted way.
Jaha Koo Haribo Kimchi
Haribo Kimchi, a hybrid performance combining text, music, video and robotics, embraces South Korean cuisine as part of an investigation into cultural assimilation, together with its conflicts and paradoxes. It enables Jaha Koo to ask questions first raised in his Hamartia trilogy.