Anna Halprin
Anna Halprin/Anne Collod & guests
Parades & changes, replays
@ Marc Domage ©
@ Marc Domage ©
@ Marc Domage ©
Within the framework of the performances of Parades & changes, replays, the Cinémathèque de la danse devotes an evening to choreographers who put their stamp on XXth century history
Cinémathèque de la danse
Nine Evenings
Cinémathèque française (Henri Langlois auditorium)
Novembre 16, 16h and 18h30
In collaboration with the Centre Pompidou
parades & changes, replays
A re-interpretation of Parades & Changes (1965)
Choreography, Anna Halprin
Conception, artistic direction, Anne Collod
in dialogue with Anna Halprin
Re-interpretation and performance, Boaz Barkan, Nuno Bizarro
Alain Buffard, Anne Collod, DD Dorvillier, Vera Mantero
Music, Morton Subotnick assisted by Sébastien Roux
Lighting, Mikko Hynninen
Artistic coordination, Cécile Proust
Costumes and set design, Misa Ishibashi
Graphics for partitions, Mathias Poisson
Production managers, Camille Desjardins, Marie Roche, Henri Jules Julien
Produced by …& alters
Co-produced by Les Spectacles vivants - Centre Pompidou ; Biennale de la danse/Lyon ; Centre National de Danse Contemporaine d'Angers ; Manège de Reims – Scène Nationale ; Centre Chorégraphique National de Montpellier Lanquedoc Roussillon ; Festival d’Automne à Paris
With the support of Lisbon's Culturgest ; Le Vivat Scène Conventionnée d’Armentières (résidency) ; Micadanses Paris (use of studios)
With the help of the DRAC Île-de-France ; Beaumarchais ; la SPEDIDAM CulturesFrance ; Cultural Services at the French General Consulate in San Francisco and Cultural Services at the French embassy in the United States; the French-American Cultural Society; the FUSED (French US Exchange in Dance)
Anne Collod offers us the first extended re-creation since the 1960, of Anna Halprin's Parades & Changes. A breakthrough work, once banned in the US because it featured nudity. This is an opportunity to revisit the themes of the 1965 ensemble work from a contemporary perspective, and to (re)-discover Halprin, whose talent is still raging at age 87.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Rétrospective
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR)
A Conversation with the Sun (VR), the Thai filmmaker's second foray into the realm of performance, uses virtual reality to set up the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.