Nouri Iskandar / Kiawash Sahebnassagh / Daniel Landau / Rashidah Ibrahim / Saed Haddad
Nouri Iskandar/Kiawash Sahebnassagh/Daniel Landau/Rashidah Ibrahim/Saed Haddad
Archive 2007
Opéra Bastille
octoberoct 13
octoberoct 13
© Damas, 1996, photo © DB ©
© Photo@Tony El Hage ©
1/2
Nouri Iskandar, Mawal Kurdeli, for two violins and cello
Kiawash Sahebnassagh, Kava, for setâr and ensemble
new work, commissioned by the Festival d’Automne à Paris
Daniel Landau, Ana Shahid, for qânûn, and ensemble and electronic
interval
Rashidah Ibrahim, Music for Nay and Chamber Orchestra
Saed Haddad, On Love I, for qânûn and ensemble
Wafaa Safar, nây
TaoufikMirkhan, qânûn playing Saed Haddad's piece
Massoud Shaari, setâr
Jamil Al-Asadi, qânûn playing Daniel Landau's piece
Nieuw Ensemble
Directed by Garry Walker
In collaboration with the Nieuw Ensemble Amsterdam
Co-presented by the Opéra national de Paris and the Festival d’Automne à Paris
With support from Mécénat Musical Société Générale, Sacem and Fondation Ousseimi
Kiawash Sahebnassagh, Kava, for setâr and ensemble
new work, commissioned by the Festival d’Automne à Paris
Daniel Landau, Ana Shahid, for qânûn, and ensemble and electronic
interval
Rashidah Ibrahim, Music for Nay and Chamber Orchestra
Saed Haddad, On Love I, for qânûn and ensemble
Wafaa Safar, nây
TaoufikMirkhan, qânûn playing Saed Haddad's piece
Massoud Shaari, setâr
Jamil Al-Asadi, qânûn playing Daniel Landau's piece
Nieuw Ensemble
Directed by Garry Walker
In collaboration with the Nieuw Ensemble Amsterdam
Co-presented by the Opéra national de Paris and the Festival d’Automne à Paris
With support from Mécénat Musical Société Générale, Sacem and Fondation Ousseimi
Three concerts in which to explore music with composers and soloists from the Middle East. Beyond their various borders and languages, these musicians can be divided into three categories – those who have chosen to stay in their country, those who go back and forth and thereby create a kind of synthesis, and those who have settled in the West. In this artistic production, ‘‘history (whether personal or political) is a powerful force’’.