Lina Saneh

Lina Saneh

Appendice

Archive 2007
Theatre
Théâtre de la Cité internationale
octoberoct 22 – 28

© Lina Saneh, photo © Ghassan Halawani ©

Appendice
by Lina Saneh
With Rabih Mroué and Lina Saneh
Co-produced by the Association Libanaise pour les Arts Plastiques, Ashkal Alwan and the Festival d’Automne à Paris
Acknowledgements: Fadi Abdallah, Albert Abi Azar, Mansour Aziz, Rémi Bonhomme, Toni Chakar, Lama Charafeddine
Ali Cherri, Marie Collin, Joana Hadjithomas, Khalil Joreige, Bernard Khoury, Krystel Khoury, Nathalie Khoury, Jalal El
Mir, Tarek Mrad, Hania Mroué (Cinema Metropolis Beirut)
Rabih Mroué, Walid Raad, Celesta Rottiers, Hussein Saleh Andrée Sfeir (Galerie Sfeir-Semler), Mounira El Solh,
Christine Tohmé and Jalal Toufic
With support from the Fondation d’Entreprise CMA CGM and Zaza and Philippe Jabre
Thanks to Service de Coopération et d’Action Culturelle de l'Ambassade de France au Liban

“Cremation, forbidden by all religions in Lebanon, is therefore illegal. And citizenship is contingent on belonging to a religious community.”
In this performance, Linah Saneh plans to have surgery and then have her severed limbs burned, turning her body into a battlefield where the promise of freedom and modernity clashes with nationalist and communitarian forces.

In the same place

Théâtre de la Cité internationale
octoberoct 4 – 6

Steven Cohen
Boudoir

RépertoireVisual arts

If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Théâtre de la Cité internationale
octoberoct 22 – 25

Lina Majdalanie, Rabih Mroué
Photo-Romance

Theatre Portrait
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How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.