Eszter Salamon
Eszter Salamon
And Then
Archive 2007
Centre Pompidou
novembernov 7 – 10
novembernov 7 – 10
AND THEN
by Eszter Salamon
Design and dramaturgy: Eszter Salamon and Bojana Cvejic
Filming and editing: Minze Tummescheit
Lighting design: Sylvie Garot
Sound design: Peter Lenaerts and Peter Connelly
Music: Peter Lenaerts, Aisikl
With Aude Lachaise, Eszter Salamon, Bojana Cvejic
Co-produced by Les Subsistances-Résidence/Lyon; Pact Zollverein Choregraphisches Zentrum/Essen; the kunstenFESTIVALdesArts/Brussels; the Centre national
de la danse/Pantin; TanzQuartier/Vienna; Les Spectacles vivants-Centre Pompidou; the Festival d’Automne à Paris
Additional funding from Botschaft/Berlin, the Centre chorégraphique de Montpellier Languedoc-Rousillon, Hauptstadtkulturfonds /
Berlin, Hebbel-am-Ufer/Berlin and Florian Mühely-Mozgo Haz Alapitvany/Budapest
With support from IDEE, Programme Culturel 2000 de l’Union Européenne
Production and coordination: Alexandra Wellensiek, Barbara Greiner
by Eszter Salamon
Design and dramaturgy: Eszter Salamon and Bojana Cvejic
Filming and editing: Minze Tummescheit
Lighting design: Sylvie Garot
Sound design: Peter Lenaerts and Peter Connelly
Music: Peter Lenaerts, Aisikl
With Aude Lachaise, Eszter Salamon, Bojana Cvejic
Co-produced by Les Subsistances-Résidence/Lyon; Pact Zollverein Choregraphisches Zentrum/Essen; the kunstenFESTIVALdesArts/Brussels; the Centre national
de la danse/Pantin; TanzQuartier/Vienna; Les Spectacles vivants-Centre Pompidou; the Festival d’Automne à Paris
Additional funding from Botschaft/Berlin, the Centre chorégraphique de Montpellier Languedoc-Rousillon, Hauptstadtkulturfonds /
Berlin, Hebbel-am-Ufer/Berlin and Florian Mühely-Mozgo Haz Alapitvany/Budapest
With support from IDEE, Programme Culturel 2000 de l’Union Européenne
Production and coordination: Alexandra Wellensiek, Barbara Greiner
Imagine you pick up a photo album in the street. You open it and see people you don’t know: pictures of holidays, familiar poses and gestures, faces of strangers smiling at you as if you were a relative or close friend who was meant to see the photos… Isn’t it strange, and rather uncanny, to peer into another person’s life when one has come across the evidence of it by pure chance?.
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