Enrique Diaz
Enrique Diaz
Seagull-Play/La Mouette
Archive 2007
Theatre
© Seagull-Play, photo © Dalton Valério ©
© Seagull-Play, photo © Dalton Valério ©
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Seagull-Play
Based on Anton Chekhov’s Seagull
Adapted by the cast and Enrique Diaz
Artist in residency at La Ferme du Buisson-Scène nationale de Marne- la-Vallée
Translated by Angela Lopez
Directed by Enrique Diaz
Set design: Afonso Tostes
Lighting design: Maneco Quinderé
Costume design: Cello Silva
Music: Lucas Marcier, Rodrigo Marçal (Arp.x Studio)
Choreography: Cristina Moura
Video: Daniela Fortes and Enrique Diaz
With Enrique Diaz, Lorena da Silva, Gilberto Gawronski, Mariana Lima Emílio de Mello, Felipe Rocha, Isabel Teixeira
Produced by Emílio de Mello; Enrique Diaz and Mariana Lima Production en Europe, Made In Productions
Co-produced by Temps d'images / La Ferme du Buisson – Scène Nationale de Marne-la-Vallée and co-presented with the Festival d’Automne à Paris
With support from TAM, Brazilian airlines
with the help of Centro de Empreendimentos Artísticos Barca Ltda
With the support of Correios, Eletrobrás, Funarte/Petrobras and ONDA for translations
Touring schedule: Festival Franco-Ibérique in Bayonne-Biarritz, October 19 and 20;
Théâtre Garonne October 24-27; Théâtre National Populaire, Lyon, November 30 and December 1;
La Rose des Vents, Villeneuve d’Ascq, December 8 and 9.
Based on Anton Chekhov’s Seagull
Adapted by the cast and Enrique Diaz
Artist in residency at La Ferme du Buisson-Scène nationale de Marne- la-Vallée
Translated by Angela Lopez
Directed by Enrique Diaz
Set design: Afonso Tostes
Lighting design: Maneco Quinderé
Costume design: Cello Silva
Music: Lucas Marcier, Rodrigo Marçal (Arp.x Studio)
Choreography: Cristina Moura
Video: Daniela Fortes and Enrique Diaz
With Enrique Diaz, Lorena da Silva, Gilberto Gawronski, Mariana Lima Emílio de Mello, Felipe Rocha, Isabel Teixeira
Produced by Emílio de Mello; Enrique Diaz and Mariana Lima Production en Europe, Made In Productions
Co-produced by Temps d'images / La Ferme du Buisson – Scène Nationale de Marne-la-Vallée and co-presented with the Festival d’Automne à Paris
With support from TAM, Brazilian airlines
with the help of Centro de Empreendimentos Artísticos Barca Ltda
With the support of Correios, Eletrobrás, Funarte/Petrobras and ONDA for translations
Touring schedule: Festival Franco-Ibérique in Bayonne-Biarritz, October 19 and 20;
Théâtre Garonne October 24-27; Théâtre National Populaire, Lyon, November 30 and December 1;
La Rose des Vents, Villeneuve d’Ascq, December 8 and 9.
The theatre according to Enrique Diaz is a game of doubles and dupes. He cultivates the mise en abyme involving artistic creation already nestled within the core of Chekhov’s The Seagull; but then he derails the play and the actors. Suddenly, the characters split in two, strange props appear and the stage is taken over by a scene from La Dame aux Camélias, excerpts from Stanislavksy’s diary and the actors telling their secrets. In Seagull-Play the accent is on ‘‘play’’.