Bruno Geslin
Joë Bousquet / Bruno Geslin
Je porte malheur aux femmes…
Photo : Bruno geslin ©
Photo : Bruno geslin ©
Based on Joë Bousquet’s life and work
New work
Directed and filmed by Bruno Geslin
Artistic collaborator, Jean-François Auguste
Space design: Marc Lainé and Stephan Zimmerli
Musical composition, Teddy Degouys and Emmanuelle Piettre
Cello, Emmanuelle Piettre
Performed by Jean-François Auguste, Denis Lavant, Kathleen Reynolds (cast TBA)
Executive producer: Théâtre de la Bastille
Co-produced by Théâtre de la Bastille-Théâtre de l’Agora,
Scène nationale d’Evry et de l’Essonne. Supported by Région Île-de-France, Théâtre national de Bretagne / Rennes, Dieppe-Scène nationale, Théâtre de Nîmes, Théâtre national Bordeaux Aquitaine and Festival d’Automne à Paris
With the support of ADAMI
Special thanks to René Piniès of the Joë Bousquet Center in Carcassonne
In the same place
Gurshad Shaheman, Dany Boudreault Sur tes traces
The piece takes us a road-trip in the form of a double portrait involving two destinies, namely those of Gurshad Shaheman born in Iran, and Dany Boudreault in Quebec. Authors, directors and performers, the two artists got to know each other in Europe. Here, each of them sets off in search of their respective pasts.
Marion Duval Cécile
Certain encounters are life-changing. This piece is about Marion Duval's encounter with Cécile Laporte, an activist and author to whom she has decided to dedicate a show. The resulting 'truth-performance' is an inspiring one and enables us to embrace the unbearable complexity of the world in a light-hearted way.
Jaha Koo Haribo Kimchi
Haribo Kimchi, a hybrid performance combining text, music, video and robotics, embraces South Korean cuisine as part of an investigation into cultural assimilation, together with its conflicts and paradoxes. It enables Jaha Koo to ask questions first raised in his Hamartia trilogy.