tg STAN

Seeing and seeing

Archive 2005
Theatre
Théâtre de la Bastille
novembernov 24 - december – dec 24

© Photo : Herman Sorgeloos ©

Text, Gerardjan Rijnders
Translation, Anne Vanderschueren
of and with Sara De Roo et Guy Dermul
A live Music Paul De Clerck, Alain Franco,
Éric Morel or John Parish
Light and set Design, Thomas Walgrave
Costumes, An D’Huys
Coproduction tg STAN and Dito’Dito
Coproducers of the french version Théâtre de la Bastille, Festival d’Automne à Paris

A couple attempts to establish contact, a love-bond. They have suffered a loss, the nature of which only gradually becomes clear. Continuing a theme explored by Gerardjan Rijners in an earlier work, Pick-Up, this play draws its inspiration from the realm of the abstract. Language and music are surrogates for “action” – and a different musician, playing either saxophone, piano, guitar or violin, accompanies the actors over the course of the performances.

In the same place

Théâtre de la Bastille
septembersept 23 - october – oct 23

Gurshad Shaheman, Dany Boudreault
Sur tes traces

Theatre

The piece takes us a road-trip in the form of a double portrait involving two destinies, namely those of Gurshad Shaheman born in Iran, and Dany Boudreault in Quebec. Authors, directors and performers, the two artists got to know each other in Europe. Here, each of them sets off in search of their respective pasts.
Théâtre de la Bastille
octoberoct 9 – 19

Marion Duval
Cécile

TheatrePerformance

Certain encounters are life-changing. This piece is about Marion Duval's encounter with Cécile Laporte, an activist and author to whom she has decided to dedicate a show. The resulting 'truth-performance' is an inspiring one and enables us to embrace the unbearable complexity of the world in a light-hearted way.
Théâtre de la Bastille
decemberdec 9 – 14

Jaha Koo
Haribo Kimchi

Theatre

Haribo Kimchi, a hybrid performance combining text, music, video and robotics, embraces South Korean cuisine as part of an investigation into cultural assimilation, together with its conflicts and paradoxes. It enables Jaha Koo to ask questions first raised in his Hamartia trilogy.