Robert Lepage
Robert Lepage
La Trilogie des dragons
© Photo : Erick Labbé ©
© Photo : Erick Labbé ©
Text, Marie Brassard, Jean Casault, Lorraine Côté,
Marie Gignac, Robert Lepage, Marie Michaud
Direction, Robert Lepage
Music, Robert Caux
Characterization and arrangements, Jean Sébastien Côté
Scenography, Jean François Couture et Gilles Dubé
Set-Design and property Assistant, Vano Hotton
Light, Sonoyo Nishikawa
Costumes, Marie-Chantale Vaillancourt
Images realisation, Jacques Collin et Lionel Arnould
Dramaturgy Assistant, Marie Gignac
Stage management and Direction Assistant, Félix Dagenais
With Sylvie Cantin, Jean Antoine Charest, Simone Chartrand, Hugues Frenette, Tony Guilfoyle, Éric Leblanc, Véronika Makdissi-Warren, Emily Shelton
Producer Ex Machina, Michel Bernatchez
Producer in Europe, Japan, Richard Castelli
Coproduction Bergen International Festival / Bergen, BITE : 05, Barbican / London, Festwochen /
Berliner, Festspiele Kampnagel / Hambourg, Le Festival de théâtre des Amériques / Montréal, Les Francophonies en Limousin / Limoges, Pilar de Yzaguirre - Ysarca Art Promotions / Madrid, Zagreb World Theatre Festival / Croatie,
Teatr Dramatyczny / Varsovie
Ex Machina is subsidized by the Conseil des Arts du Canada, le Ministère des Affaires Étrangères et du Commerce international du Canada, le Conseil des Arts et des Lettres of Quebec, le Ministère de la Culture et des Communications of Quebec and the City of Quebec
Co-presented by Théâtre National de Chaillot, Festival d’Automne à Paris
“What does the Chinese launderer of the Saint Roch neighborhood dream about?” Nearly twenty years after it opened to critical acclaim, Canadian director Robert Lepage revives his six-hour “dragon” trilogy about an imaginary China seen through the eyes of two young girls growing up on the fringes of Quebec’s Chinatown in the 1930s. The saga spans a century, from 1910 to the present, tracing “a long migratory waltz...right up to the gates of the Orient.”
In the same place
Nina Laisné, Nestor 'Pola' Pastorive Como una baguala oscura
In Como una baguala oscura, Nina Laisné teams up with dancer and choreographer Nestor 'Pola' Pastorive in this musical and danced portrait of Argentinian pianist Hilda Herrera. With its exploration of the roots of popular and folk music, she brings us a lively show with the hallmark of freedom stamped firmly upon it.
Robyn Orlin, Garage Dance Ensemble, uKhoiKhoi …How in salts desert is it possible to blossom...
This piece is the fruit of the first encounter between Robyn Orlin and the iconic South African company Garage Dance Ensemble. The latter practices dance theatre which is committed to equality and social justice. In the company of performers from the Northern Cape region, she brings us a no-holds-barred performance that questions the origins of social violence.
Marcelo Evelin, Demolition Incorporada Uirapuru
In this piece, the choreographer Marcelo Evelin, from the north-east region of Brazil, invites us to set foot inside a metaphorical forest and its ecological condition. Through minimalist dance, and guided by the call of the legendary Uirapuru, a rare and endangered bird, six performers embody the promise of discovering what is and what still eludes our senses.