Julia Cima
Julia Cima
Visitation
Extrait de Hôsôtan, 1972 de Tatsumi Hijikata ©
Danse Nikolska, 1915 ©
Extrait de Hôsôtan, 1972 de Tatsumi Hijikata ©
Conception et interpretation, Julia Cima
Choreographies, Dominique Bagouet, Maurice Béjart, Merce Cunningham, Isadora Duncan, Lisa Duncan, Valeska Gert, Tatsumi Hijikata, Vaslav Nijinsky, Nikolska (to be confirmed)
Light, Madjid Hakimi
Projection realisation, Agnès Dahan
Scenography, Sallahdyn Khatir
Direction assistant , Boris Charmatz
Production, edna
Coproduction Tanz im August / Berlin,
Centre national de la danse / Pantin,
Centre Chorégraphique National de Franche-Comté à Belfort - accueil studio, Bonlieu Scène Nationale – Annecy, Festival d’Automne à Paris
with the help of Théâtre de la Cité Internationale, la Cinémathèque de la danse and la Chaufferie / Saint-Denis
L’association edna is subsidized by the Ministère de la culture et de la communication / Direction Régionale des Affaires Culturelles d’Ile-de-France
Julia Cima is the choreographical equivalent of a deep-sea diver: hers is a salvage mission in search of the “absolute” performance of dances created in other times and places. Along the way, she appropriates – or “visits” -- dances that “have not been made for her or with her”, offering a more “readable” interpretation. What she resurfaces with is a hidden treasure: the disparity, and infinite richness, of the original movement.
In the same place
Steven Cohen Boudoir
If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Lina Majdalanie, Rabih Mroué Photo-Romance
How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.