Théâtre du Radeau François Tanguy
François Tanguy / Théâtre du Radeau
Coda
Photo : Didier Grappe ©
Photo : Didier Grappe ©
Photo : Didier Grappe ©
Creation of Théâtre du Radeau
Scenery, scenography and light, François Tanguy
Sound, Mathieu Oriol, François Tanguy
Setting, Bertrand Killy, Fabienne Killy, Fröde Bjornstad,
Jérôme Gendron, David Frenehard, les Baltringos
With Jessica Batut, Fröde Bjornstad, Laurence Chable, Dominique Collignon-Maurin, Emilie Couratier, Dietrich Garbrecht, Boris Sirdey
A co-production of the Théâtre du Radeau, Théâtre National de Bretagne/Rennes; Festival d'Avignon; Odéon-Théatre de L'Europe; Centre Choréographique National Rilleux-la-Pape/Companie MAguy Marin; Théatre Garonne/Toulouse; Festival d'Automne à Paris
Le Théâtre du Radeau is subsidized by the DRAC Pays de La Loire, la Ville du Mans, Le Conseil Régional des Pays de la Loire and the Conseil Général de la Sarthe
Supported by the Onda for the reception in France and by CulturesFrance for international tours
Titles can be deceiving. The ‘Coda’, as envisioned by Tanguy in this production by the Théâtre du Radeau, is more a beginning than an ending. The beginning of a new way of perceiving myths and language. Tanguy conjures voices and shadows from the past – Dante, Kafka, Lucrèce, Gadda and Verdi, among others – as spectral presences in a movement whose purpose “is to lead us to a threshold” at which a new movement might take shape.