Enrique Diaz

Enrique Diaz

Hamlet/Rehearsal

Archive 2005
Theatre
Théâtre de la Cité internationale
novembernov 29 - december – dec 29

© Photo : Deborah 70 ©

© Photo : Deborah 70 ©

© Photo : Deborah 70 ©

© Photo : Deborah 70 ©

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Ensaio Hamlet
After William Shakespeare
Scenery, Enrique Diaz
Scenography, Cesar Augusto ey Marcos Chaves
Costumes, Marcelo Olinto
Light, Maneco Quinderé
Music and sound, Lucas Marcier, Rodrigo Marçal et Felipe Rocha
Corporal training, Cristina Moura
Moves , Andrea Jabor
With Bel Garcia, César Augusto, Felipe Rocha, Fernando Eiras,
Malu Galli, Marcelo Olinto, Enrique Diaz
Production Cia dos Atores
Coproduction Ferme du Buisson- Scène nationale de Marne la Vallée, Noisiel
La Filature - Scène nationale de Mulhouse
Associated Artists with la Ferme du Buisson – Scène Nationale de Marne La Vallée
Executive producer : Made In Productions for la Ferme du Buisson.
With Onda's support

Tour : La Filature/Mulhouse decembre 8 to december 10

Sure, there’s that little matter of whether « to be or not to be » to consider -- but before Hamlet can get around to that, he and his stage companions have toasters, wheelchairs, inflatable dolls, hairdryers and irons to deal with. This ingenious production by Brazil’s Dos Atores company lends a contemporary feel to a seminal work by western literature’s most famous bard. As Enrique Diaz puts it: “We are reminded we are at the theater...”

In the same place

Théâtre de la Cité internationale
octoberoct 4 – 6

Steven Cohen
Boudoir

RépertoireVisual arts

If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Théâtre de la Cité internationale
octoberoct 22 – 25

Lina Majdalanie, Rabih Mroué
Photo-Romance

Theatre Portrait
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How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.