Enrique Diaz

Enrique Diaz

La Passion selon G.H.

Archive 2005
Theatre
Théâtre de la Cité internationale
octoberoct 7 – 25

© Photo : Roberto Setton ©

© Photo : Roberto Setton ©

© Photo : Roberto Setton ©

1/3

La Passion selon G.H. of Clarice Lispector
- A Paixão segundo G.H
Original text, Clarice Lispector
Adaptation, Fauzi Arap
Direction, Enrique Diaz
Scenography, Marcos Pedroso
Costumes, Marcelo Olinto
Light, Guilherme Bonfanti
Music, Marcelo Neves
Video, Carolina Jabor
Corporal training, Daniela Visco
Gestual Advisor, Marcia Rubin
Vocal Training, Mônica Montenegro
With Mariana Lima
Enrique Diaz is an associeted Artist  at la Ferme du Buisson – Scène Nationale de Marne La Vallée
Production Enrique Diaz and Mariana Lima – Cucaracha Produçoes Artìsticas
Coproduction Ferme du Buisson - Scène nationale de Marne la Vallée,
Centro Cultural Banco do Brasil - RJ
Production : Made In Productions for the Ferme du Buisson
With the support of Onda

Tour : Théâtre Garonne / Toulouse, november,
Le Maillon /Strasbourg Novembre 22 to November 26,
Théâtre d’Angoulême January 31 to February 4 2006

A seemingly innocent event – the discovery of a half-dead cockroach hidden away in her domestic employee’s closet – triggers an existential crisis in the life of the play’s protagonist. Director Enrique Diaz takes this long monologue by the Ukrainian-born Brazilian writer, Clarice Lispector, and uses all theatrical devices to embody the philosophical, somewhat mystical, questioning about life.

In the same place

Théâtre de la Cité internationale
octoberoct 4 – 6

Steven Cohen
Boudoir

RépertoireVisual arts

If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Théâtre de la Cité internationale
octoberoct 22 – 25

Lina Majdalanie, Rabih Mroué
Photo-Romance

Theatre Portrait
Buy tickets

How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.